For the second consecutive year, SFTV and BCLA partnered with Los Angeles Greek Film Festival (LAGFF), where sixteen students interned in conjunction with Professor of Classics Dr. Katerina Zacharia‘s “Representations of Greece: Ancient and Modern” course during the spring semester, and three more with the Greek cinema course during the summer semester. SFTV professor Mikael Kreuzriegler (PROD) and chair and professor of Recording Arts Mladen Milicevic served as jury members for the shorts program at the festival, held at the Egyptian Theatre in Hollywood June 5, 2016.
Dr. Zacharia and her student interns collectively watched over 160 films and assisted in the final selections at LAGFF this year, as well as reviewed International Project Discovery Forum (IPDF) portfolios, offered outreach and social media tasks, and interviewed Greek filmmakers, economists, and LAGFF directors. Dr. Zacharia also brought her students from the Greek cinema summer course to the LAGFF, and engaged two more interns to work with the IPDF, as well as her Rains Research assistant.
Out of the nineteen LMU-LAGFF interns this year, seven came from SFTV, including: Jake Trokey (PROD ’17), Nick Logsdon (SCWR ’16), Gatsby Keyes (SCWR ’18), Joseph Bellavia (SCWR ’19), Gabriela Garza-Lainez (PROD ’17), Samantha Burton (PROD and Classics & Archeology ’19), and Amy Pellouchoud (PROD ’18).
“My favorite part of the festival was the Diversity Panel, which was hosted by the International Project Discovery Forum,” said intern and SFTV junior Amy Pellouchoud. “Hearing experts in the industry talk about their experiences with diversity on screen and behind the scenes was eye-opening.”
Two Honors freshmen, including SFTV’s Samantha Burton (double major in Film Production and Classics & Archaeology), received the 2016 Honors Summer Fellowships, an award of $5,000 each to travel to Greece in May and work with Dr. Zacharia on their projects on different aspects of the tourism industry and branding of Greece during the last decade and since the financial crisis in 2008.
Check out the class blog, which includes presentations, interviews and more here.
Dr. Katerina Zacharia has been teaching Greek cinema for over 15 years at LMU; she published “Reel Hellenisms”: Perceptions of Greece in Greek Cinema” (2008); offered the LAGFF Memorial lecture Retrospective on Greek filmmaker Theo Angelopoulos (2012); served in the 2014 LAGFF jury committee, and now is the LAGFF Director of Education and Culture (2015-). LMU School of Film and Television and the Bellarmine College of Liberal Arts became community partners with LAGFF with the first internship in 2014, five internships in 2015, and 19 internships in 2016. LAGFF designated an LMU Special Selection slot at 10 pm on Saturday, June 4th 2016.
The annual Palm Springs International ShortFest, known for showcasing the best short-form cinema in the world, kicked off this week and SFTV is on the scene!
This year, PS ShortFest tapped SFTV animation junior Sydney Snyder ’18 to create a short theater preview commercial reminding festival goers to silence their phones and vote for the audience award. The trailer will play before every program throughout the festival, which runs from June 21-27, 2016.
SFTV will also be hosting the Filmmaker’s Cocktail Reception on Saturday evening, where students, alum, staff and faculty will be networking and enjoying the festivities. If you’re an LMU friend, alum or student attending this year’s ShortFest, drop an email to SFTVgradprograms@lmu.edu to connect with us there!
Check out the trailer animated by Sydney below:
LMU School of Film and Television, in partnership with Film Independent, is proud to announce the following two fellowship opportunities exclusive for LMU Alumni. Please visit Film Independent’s website for more information and to apply for the Screenwriting Lab and Project Involve fellowships.
2016 LMU SCREENWRITING FELLOWSHIP
Through personalized feedback from experienced industry professionals and other writers in the program, Screenwriting Fellows will gain the tools to revise and refine their scripts for production. The Screenwriting Lab also helps to further the careers of its Fellows by introducing them to film industry veterans who can offer guidance on both the craft and business of screenwriting. Each Screenwriting Fellow will be paired with a Creative Advisor, with whom they’ll work one-on-one and in Lab sessions to further develop their project over the course of the program. A variety of guest speakers may screen and discuss their own films, or offer insights into their career trajectories, and a final retreat offers further opportunity for individualized feedback and discussion with additional established filmmakers and producers.
The LMU Fellowship includes a $10,000 cash grant, as well as inclusion in Film Independent’s annual Screenwriting Lab. To be eligible, applicants must be alumni of Loyola Marymount University. The extended deadline for applications for LMU alumni is May 23rd, 2016.
CLICK HERE TO APPLY (Until May 2nd):
AFTER MAY 2ND, PLEASE USE THIS LINK TO APPLY:
NEW FOR 2016!
2016 LMU Project Involve Fellowship
Project Involve is a free, intensive, nine-month annual program that offers 30 up-and-coming film professionals from under-represented communities the opportunity to hone skills, form creative partnerships, utilize free or low-cost production resources and ultimately gain the industry access necessary to succeed as working artists.
Alumni of Loyola Marymount University who apply to Project Involve can ask to be considered for the LMU Project Involve Fellowship. The fellowship includes a $10,000 cash grant as well as inclusion in Film Independent’s Project Involve.
To be eligible for this fellowship, applicants must be alumni of Loyola Marymount University.
The extended deadline for applications for LMU alumni is May 23rd, 2016.
Click Here to Apply:
If you have any further questions, please email firstname.lastname@example.org
On Monday, September 28, SFTV Professor Susan Scheibler moderated as legendary Chinese action director and martial arts choreographer Woo-Ping Yuen was welcomed onto Mayer Theater’s stage with a standing ovation for Monday Night Series. Modestly, he beckoned the audience to sit down before sharing his experience working with Ang Lee, Wong-kar Wai, Quentin Tarantino and others on such films as Crouching Tiger Hidden Dragon, The Grandmaster, Kung Foo Hustle, The Matrix and Kill Bill.
Dr. Scheibler eloquently expressed that Yuen’s films present a “rich tapestry of Chinese history” by incorporating many styles of historical and modern Chinese martial arts together through choreography that is “pure cinema.” Yuen, the son of an action film director, explained his process– first he breaks down the script to design sequences based on critical fight moments, as well as critical narrative moments that develop the characters’ relationships. He also takes into consideration the actor’s level of familiarity with wires and physical ability, saying that it can take up to four months of training before a sequences can be shot with a completely inexperienced actor.
Each of the surreal elements of the fight sequences, such as “flying” or running up walls, must all be rooted in reality, he reiterated. Yuen revealed that half of the magic of martial arts cinema comes from the choreography, the other half from the camera framing–the director must know how to shoot the scene to make it look good. He gave tips to eager students to “fill the frame with action.”
Make sure to check SFTV’s eventbrite for a list of upcoming Monday Nights Series here.